By Joyce Carol Oates
Within the uncooked was once how the realm felt now. My emotions have been uncooked, my recommendations have been uncooked and hurtful like knife blades. . . . within the blue were my position to conceal, now within the uncooked there has been nowhere to hide.
Jenna Abbott separates her existence into different types: before the wreck and after the wreck. earlier than the spoil, she was once major a regular existence together with her mother in suburban long island. After the spoil, Jenna is on my own, attempting desperately to disregard what occurred that day at the bridge. She's made up our minds to not permit somebody get with reference to her -- she by no means desires to think so damaged and fragile back.
Then Jenna meets Crow. he's a powerfully seductive enigma, and Jenna is readily attracted to him. Crow is ready to holiday down the wall that Jenna has equipped round her feelings, and she or he surprises herself by way of telling him issues she hasn't instructed someone else. Can Jenna convey herself to stand the stories she's attempted so difficult to erase?
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Additional resources for After the Wreck, I Picked Myself Up, Spread My Wings, and Flew Away
And I'll write it down. Eventually, when I have a sense of the plot, I begin to realize where these pieces fit, but I keep threatening to try to keep it chronological. Inventory! And publish a book that way. The utter chaos of a random mind! Just call it experimental fiction! Structures become very formalized, and elaborate, and to some extent the elaboration is in order to accommodate all these diverse pieces. " (Macdonald interview, 2004) As a result, he ends up with a lot of sidebars and seeks ways to include this detail or that anecdote.
As a young man, Turow could not understand why the great author Vladimir Nabokov depended heavily on note cards to organize and write his books, but now he realizes that he writes in the same way— only electronically. Turow admits, "I don't think I could have given my books such intricate plots if I hadn't had the liberty to go back over my work again to sort of monkey around, experiment, tinker with small details"—"a monumental task of stitching .. together" (Inc. Technology, 42). Creative Method Basically, Turow's creative method has remained consistent since Presumed Innocent.
The early writing often takes the form of scenes without regard to chronology or plot. In one instance a lawyer told him a story about a coroner's inquest and he sketched out the scene with no idea where that scene would fit in the book. As to building suspense, Turow employs strategies that have served others well, observing that all good writers lay the groundwork for dramatic developments and noting, as Chekov pointed out so clearly, that if a gun is hanging on the wall in Act I, it had better go off in Act III or the audience has been misled and will not be happy.