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Acrylic Painting Secrets: Tips & Techniques To Make Acrylic by Bob Davies

By Bob Davies

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As an adult residing in New York in 1881, he wrote enthusiastically and in detail about the invention of photography: It was an enormous advance to succeed in affixing images obtained in the camera obscura, but it is no less certain that man has not contented himself with all the advances achieved by photography. For nearly a half century the affixation of colors, that is, the obtention of images with their own coloration, has likewise been sought tirelessly. This great invention, whose achievement has been announced repeatedly, but never produced, seems finally resolved by a procedure devised by Messrs.

But the main difference between the Marxist conception and Martí’s ideas is rooted in Marxism’s great confidence in the revolutionary power of the dialectical inversion of these evils. According to classic Marxism, capitalism will reach a limit that will reveal its own contradictions, and this situation will cause the new class (the proletariat) to become aware of its dispossession and forced to complete the inevitable revolution (Benjamin 1969b; Benjamin 1999; Mitchell 2003). As an extension of this idea, Benjamin considered the photographic camera (due to its capacity to reproduce images that can be sold in the market) as both the material incarnation of capitalist ideology and a symbol of the process that will result in the end of ideology—given precisely to the possibility of the camera to take to the limit the reproducibility of images until making obvious capitalist contradictions (Benjamin 1969b; Benjamin 1999).

The Lost Relic: Santiago’s Mausoleum, 1951 After the 1905 construction of Havana Central Park monument, the next most architecturally and politically significant of Martí’s monuments is the 1951 mausoleum erected in his honor in Santiago de Cuba. This mausoleum—built by the sculptor Mario Santí3— was dedicated in Santiago’s Santa Ifigenia Cemetery with several speeches, including one by President Carlos Prío Socarrás (1948– 52), who, in spite of his government’s reputation for corruption, did everything possible to connect Martí’s memory and the highest democratic virtues with his own presidency.

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