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A New-England Nun: And Other Stories (Penguin Classics) by Mary E. Wilkins Freeman

By Mary E. Wilkins Freeman

A set that exhibits Freeman's many modes - romantic, gothic, and psychologically symbolic - in addition to her use of pathos and sentimentality, humour, satire and irony. those tales centre on questions of women's integrity, braveness and privation; discover the assumption of masculinity; and dramatise the connection among rural New England and glossy tradition and trade. additionally integrated this is 'The Jamesons', a sequence of sketches approximately village lifestyles reprinted for the 1st time because the flip of the twentieth century.

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Extra resources for A New-England Nun: And Other Stories (Penguin Classics)

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He also dwells on his own personal experience of the importance of doing good. ” This, Winthrop notes, was interpreted at the time as a sign of possible “error”; and he does not resist that interpretation since, after all, Hutchinson has been guilty of a monstrous resistance. She has not accepted that “subjection to authority” that is the mark of the true Christian and the good woman. ” The threat to the dominant theme of civilizing and Christianizing mission is, in effect, there, not only in Bradford’s elegies for a communitarian ideal abandoned, but also in Winthrop’s urgent attempts to meet and counter that threat by any rhetorical means necessary.

They are mixed New World beings now; and their tale, finally, is about neither conquest nor captivity but about the making of Americans. Anglo-American Encounters Into that making, from its earliest stages, went not only the Spanish and the Portuguese, the French and the Native Americans, but also the English and their immediate neighbors in Scotland, Wales, and Ireland. From the beginning, the story of America is a story neither of a monolith nor a melting pot but a mosaic: a multicultural environment in which individuals negotiate an identity for themselves between the different traditions they encounter.

So, the French Huguenot Rene Goulaine de Laudonniere (fl. 1562–1582) in his A Notable Historie Containing Four Voyages Made by Certaine French Captaines unto Florida (1587), describes a brutal ritual witnessed by some of his men – at the time of establishing a colony in 1564 – with a mixture of incredulity and horror. Invited to a feast, Laudonniere tells us, the white men saw one of the Native Americans, who sat “alone in one of the corners of the hall,” being stabbed by some of the others. ” Two others “clad in like apparel” joined him and also began to “sigh pitifully,” after which “a company of young girls” appeared and, “with the saddest gestures they could devyse,” carried the corpse away to an adjoining house.

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