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30 Etudes for the String Bass by Franz Simandl

By Franz Simandl

Thirty Etudes

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Extra info for 30 Etudes for the String Bass

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The two paintings had had if When we difficult to question. no matter how competent they may we have make has not been necessary to disprove by Okyo. The question was only: What would we have said Individually, they real artist stops attempting to then he ceases to be an offer, A it is place them together and apparent that a great artist discussed would ever reproduce identically a painting he had real artist reproduces himself line for line. Now, do you plate 5 1 is feel you can in fact really far superior to those The Shin'enkan tell a real an Okyo?

It also allows the application of a translucent walls, duplicating the light that its privacy. is a "grotto," golden screen reflected in the water. roofs of the structure are suspended from cables that are strung from round columns. This interior of the building to space can he completes the the topmost floor-the sixth viewing area and contemplate its would be obtained through paper shoji doors. The method allows the nonsupporting skin of light will vary with the seasons and change with the weather, and the viewer will have the opportunity to experience this change.

_ / v/7 ^ £TOWE« EXHIBITION _====s^^ === V ~\ 1 X- ^1t£-L __- DECK ^« J H j/XA /* 1 U^T^K&S VIEWING X TOWER ---^HT »'X ^a^s/Zf^ )n i^ ij^ K7^^ : ^xxi3^^ // Jb^ Third X^* fTSqnn VIA, 28 i • \ level plan 1 i « " : . and a storage and study room, where the paintings be available for intense scrutiny not possible while they are on will display. The will actual function of the building walk down through ramps in the is six platforms, rounded corners, but relatively simple. The viewer will take an elevator to the top viewing area and each four feet lower than the preceding one.

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